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Four black-box stage pictures from Find Me using the same six-person ensemble and wooden chairs to explore stillness, confrontation, separation and rapid transitions.
Use the four pictures for proxemics: who sits, who stands, who faces Verity, how distance changes pressure, and how a few chairs can be repositioned quickly between episodes without turning the play into a sequence of realistic sets.

What this task rewards: Non-Naturalistic Staging

The original production was bare and used no props, but that does not ban other defensible concepts. This simulator explores one Stark Drama five-chair concept: a small prop vocabulary can create changing environments quickly. Adapt it, reduce it or reject it if another practical set better supports your directorial intention. Use proxemics and levels where they genuinely clarify power, isolation or institutional control.

Five-chair concept simulator

AUDIENCE (DOWNSTAGE) V E J Mk Off

The Dining Table (Domestic Tension)

Four chairs are placed in a tight, formal square to represent the family dining table. Edward, Jean, and Mark sit rigidly, attempting to maintain domestic normality. Verity's chair is placed physically far apart from the group. This proxemic distance visually demonstrates her isolation and the family's inability to integrate her into 'normal' life.

๐Ÿ“ AO3/AO4 Response Builder

Use these pre-structured sentences in your exam to instantly hit the higher levels of response for directing and proxemics.

Directorial Choice (What) Impact Justification (Why) Key Terminology
I would direct the four family members to sit rigidly on chairs in a tight cluster Centre Stage, while Verity runs erratically in wide circles around them. This stark contrast in movement and pace physically isolates Verity, visually demonstrating her chaotic internal world clashing with the family's desperate attempt to maintain middle-class normality. Proxemics
Pace
Physical Isolation
Contrast

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