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Stephen Daldry and Ian MacNeil

This production is valuable because it does not simply reproduce Priestley’s dining-room stage directions. Ian MacNeil places a small, fragile Birling house above a public street, making the family’s private behaviour visible within a wider society.

What to investigate

  • The contrast between the enclosed house and public street.
  • The use of scale, weather and darkness.
  • The Inspector’s relationship with the audience and surrounding community.
  • How the house changes as the family’s certainty collapses.

Student questions

  1. Which choices come from Priestley, and which belong to this production?
  2. How does public exposure strengthen the theme of collective responsibility?
  3. Design a different set that achieves the same dramatic purpose without copying MacNeil.
Official Daldry photography: link only

The official production images are protected. Stark Drama links to them rather than reproducing them without permission.

Licensed comparison production
A scene from a 2012 OVO Theatre production of An Inspector Calls: the Inspector holds out a photograph to Sheila while Gerald watches.
This is a different production from Stephen Daldry’s. Use it to separate Priestley’s text from one director’s choices.

Look at the production: what do the formal costumes, dining table and distance between the characters suggest before anyone speaks?

Photo: An Inspector Calls, OVO Theatre, St Albans (2012) · Copyright Michael Maggs Photography · CC BY-SA 3.0 · resized for web, no crop.

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