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The Examiner's Focus: Designing for Subtext (AO3/AO4)

In Component 3, examiners do not just want a list of historically accurate furniture. They want to see how your design choices actively communicate Priestley's socialist subtext. Whether you choose a suffocatingly realistic 1912 Edwardian box set or a sprawling, expressionistic 1945 wasteland, your Set, Costume, Lighting, and Sound must work together to visually dismantle the Birlings' capitalist microcosm.

Set Design

The heavy mahogany table, claustrophobic walls, and the fragile dollhouse.

Costume

Edwardian wealth, restrictive corsets, tailcoats, and the Inspector's timeless mac.

Lighting

The crucial snap from 'pink and intimate' to 'brighter and harder', and interrogative shadows.

Sound

The sharp ring of the doorbell, shattering glass, and the distant echoes of 1945 warfare.